City PoP Chords
Ha Chanju
Standard tuning
Main phrase
Count 1 & 2 & 3 & 4 &. Chord widths show holds; a chord repeated across a barline continues, without a new attack.
8 barsBar 4 uses sixteenths (1 e & a): D9 enters on 2 &, D7(b9) on 3 e. Beat positions are quantized from chord appearances; final B7(b13) is completed to the eight-bar boundary.
Additional tips
Touch + muting Use thumb and fingers for the skipped strings. Keep the upper voice clear; release fretting pressure for short, relaxed chords. Only Am9 sounds the high E string.
Common tones Em9 → A13 keeps F# on string 2 fret 7 and G on string 4 fret 5. Bm7 → A#m7 → Am7 slides the same grip down one fret at a time.
Tension melody D9 → D7(b9) → GM7 lowers string 2: frets 5 → 4 → 3 (E → Eb → D). F#aug7 is F#7(#5); keep its D natural sounding above the dominant.
Return + improvise Bm7 → B7(b13): raise strings 3 and 2 from fret 7 to 8, then resolve to Em9. Try B minor pentatonic: B D E F# A; target E over A#dim7, E# over A#m7, Eb over D7(b9), A# over F#aug7 and D# over B7(b13).
Source + timing Ha Chanju · YouTube oJGfBNjj1KY. Approx. 130 BPM, 4/4 interpretation from chord appearances. Offbeat changes are intentional. Opening is slightly clipped; ending is completed to eight bars. No strumming transcription.