Måneskin band portrait photographed by Paolo Santambrogio in 2018

Beggin’

Måneskin

Standard tuning

Bm: low to high muted, 2, 4, 4, 3, 2iBm×G: low to high 3, 5, 5, 4, 3, 3♭VIG3C#m: low to high muted, 4, 6, 6, 5, 4iiC#m4×F#7: low to high 2, 4, 2, 3, 2, 2V7F#7Bm7: low to high muted, 2, 4, 2, 3, 2i7Bm7×E: low to high muted, 7, 6, 4, 5, mutedIVE4××

Main cycle · verse / refrainRepeating cycle

Use clipped barre chords and a driving rock backbeat. The C#m is a fret-4 minor barre; one bar per chord is practice timing.Light backbeat · suggested

4 bars
Progression bars 1–4iBm♭VIGiiC#mV7F#71&2&3&4&1&2&3&4&1&2&3&4&1&2&3&4&Light backbeat · suggestedSTRUMone full bar · repeat as needed1&2&3&4&

Bridge colorOne-time passage

Bridge contrast: Bm7–E–C#m–F#7. C#m follows the selected B-minor guitar arrangement; one bar per chord is practice timing.

4 bars
Progression bars 1–4i7Bm7IVEiiC#mV7F#71234123412341234

Additional tips

Opening touch A-string 0–1 leads into the first Bm strum, whose A-string root is fret 2. Play four sounding Bm strokes and two light muted strokes in the shown one-bar cell; repeat ×4.

Cover feel The tab starts its count at the pickup so the whole repeating cell reads left to right. The source barline falls one beat later, at the first Bm strum. Keep G and C#m clipped in the main cycle.

Scale + notes For a suggested lead, start with B natural minor: B C# D E F# G A. Aim at B or D over Bm and G or B over G. Over C#m, target C#, E or G#.

Dominant turn C#m and bridge E use G#, outside B natural minor; F#7 uses A#. Bring in those notes over their chords, then resolve A# upward to B.